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May 3, 2008 |  7:31 am

"Everyone who has tried posting books online has done it again. That's a pretty good indicator it works. An artist's enemy is obscurity, not piracy."

That's the no-introduction-needed Cory Doctorow talking about the brave new freeware-everywhere world with his fellow Canucks at MacLeans.

It's easy enough (and probably premature) to mock the death throes of intellectual property behemoths. Doctorow goes one better by actually making a living in the barter economy, though the details are a bit vague: He says he lives off the advertising at BoingBoing and is getting bigger advances on his novels. All I know of life on earth tells me every time a writer gets a generous book advance a publisher gets a little bit poorer, and it's not clear to me how long such a system can last. But that would be in keeping with Doctorow's contempt for stability as a goal:

The question to ask about any intellectual property rights regime, he says, is "does it encourage or discourage involvement, art-making, information-sharing?" In his opinion, the current system only serves corporate dinosaurs, "big dying institutions." They use copyright to try to regulate technology, to criminalize (or at least turn a profit on) all the peer-to-peer file sharing that is the "Internet's greatest achievement: lowering the cost of mass collaboration, the barriers to innovation."

It adds up to an eternal and futile attempt to throttle the mechanisms of change. Long before sheet-music publishers fought record makers (who later battled radio stations, who complained of TV and so on), monks who produced manuscripts were damning the printing press as the devil's engine. What's particularly galling for Doctorow is that "yesterday's pirate is today's admiral — Sony, the VCR pirate, denounced by moviemakers a generation ago, has come full circle to sue Napster's successors." Of course, institutions — especially wealthy ones — want to live on, even past their times, Doctorow acknowledges. "I used to be a bartender, and there was always somebody who didn't want the night to end. But there comes a time when you have to put the chairs up on the table."

As a fulltime employee of a big, dying institution and as the guy who never wants the bar to close, I can confirm that Doctorow is exactly right. Read the whole story.


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Comments
1.

TonsoTunez of course wouldn't havbe been able to make these claims available to the world if the LA Times wasn't posting its content online for free for all to see.The machinery has changed. You're here, so you're proof.

2.

That's a legitimate argument. I think your saying "cult" implies that this is belief without evidence. I'm impressed if not persuaded by Doctorow's continued viability as a science fiction writer, a media brand, a celebrity without portfolio, a hobnobber, a successful blogger and a tireless producer. He's been at it since long before 2001, and he's still on his feet. His success is mostly in niches, but so what? They're clearly niches he enjoys filling.

Whether the copyright regime is strengthening or expiring, that I couldn't tell you. But copyrights, like the law, are webs that keep out little flies, but let the wasps and hornets through. I foresooth they'll remain that way no matter what the future portendeth.

3.

With that kind of thinking, Tim, I'm surprised your dying institution hasn't put you out to pasture way before now. Doctorow has been making a fortune blabbering his out of date , Marxist, philosophy for years (I mean he's soooo 2001); and, people like you lap it up and stay locked in his cult. Kinda like the kid that never changes his haircut after he leaves high school.

Certainly things are changing but you can't seem to find the pulse of what's going on around you. Take a look, what's happening has very little to do with Doctorow's delusions.

What we are moving towards are new configurations of capitalist doctrines based on strong copyright protection that have severed our country so magnificently since its inception.

There may be new owners - some traditional skins by disappear, but the machinery behind the facade will be essentially the same albeit with a digital underpinning.

Ingenuity, creativity and the greatness of this nation depend upon it, and, in fact, demand it irrespective of what Doctorow and his zombies (like you) think.

Why don't you bet the farm, Tim. Quit your job (before it quits you) and follow Doctorow's folly. It would be so much better for you, us and your dying institution.



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